Black and white. Two women wearing firemasks sitting in the entrance to an air raid shelter. Their backs are towards the viewer and they are turning towards the camera. Their legs are inside the shelter.
War Reportage & Grim Glory

During WWII lee Miller worked for Vogue magazine as an accredited war correspondent attached to the US Army. In Britain she covered the destruction caused by the Blitz in London, its effect on civilians, and the many roles taken on by women for the war effort. Miller’s pictures were published in ‘Grim Glory: Pictures of Britain under fire’, (published by Lund Humphries/War Office). The book was re-named ‘Bloody but Unbowed: Pictures of Britain under Fire’, (Published by Scribners), to be sent to America as propaganda.

Lee Miller’s first assignment in Europe was to document the field hospitals behind the beaches in Normandy. She then followed the US Army through Europe, witnessing front line combat and many major events, including the Liberation of Paris and of the concentration camps at Dachau and Buchenwald.

 

Selection of war reportage & Grim Glory prints available

  • Fire Masks, Downshire Hill, London 1941
  • Burlington Arcade, London, England 1940
  • Baroque made Rococo, London, England 1940
  • Fashion Note: Lamp posts to be worn cock-eyed this year in Belgravia, London, England 1940
  • One Night of Love, London, England 1940
  • Blast pays Deserved Tribute to the Gaslight & Coke Company’s Trademark Mr Therm, London, England 1940
  • Bridge of Sighs, Lowndes Street, Knightsbridge, London, England 1940
  • Spring Gardens, [Trafalgar Signs], London, England 1940
  • The Warden may be anybody: plain Mrs Smith, or a well known art dealer, Downshire Hill, London, England 1940
  • The site of All Hallows, London, England 1941
  • Dolphin Square, Chiswick, London, England 1941
  • Irmgard Seefried Opera singer, singing an aria from ‘Madame Butterfly’, Vienna Opera House, Austria 1945
  • Debris on pavement outside, St Malo, France 1944

Archival quality gelatin silver fine prints: non-editioned

Gelatin silver fine prints were made in house by Carole Callow, a photographic printer of international repute. All archival quality fine prints were individually made on high quality fibre based paper and selenium toned for enhanced permanence. The reverse of each gelatin silver print bears the Lee Miller Archive authentication stamp which is signed by Lee Miller’s son, Antony Penrose, a stamp certifying the print is made by Carole Callow, and the Lee Miller Copyright (c) stamp.

The standard sizes of images are printed on paper of approximately the following dimensions;
Imperial 11 x 14 inches, Metric 280 x 355mm
Non editioned fine archival gelatin silver prints start at £2,950.00 (VAT inc) plus shipping (and import taxes if applicable)

Archival quality platinum palladium fine prints: Editioned

Hand made by 31 Studio-The Platinum Printroom prints start at £4,000.00.
Each print bears the Lee Miller Archives and printer’s blind stamp under the image.

An authentication certificate signed by Antony Penrose accompanies every print.

 

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